Las óleos de todo Pierre Renoir

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Painting (From A to Z)

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30086

Woman Lifting her Skirt

mk64 1877 Oil on canvas 69x23cm

30188

Woman Picking Flowers in the Garden of Les Collettes

mk64 1912 Oil on canvas Paris,Galerie Danie Malingue

30080

Woman Reading

mk64 c.1874 Oil on canvas 45x37cm Paris,Muse d'Orsay

3429

Woman Reading fff

1874-76 45 x 37cm Musee d'Orsay, Paris

3430

Woman Reading fff

1874-76 45 x 37cm Musee d'Orsay, Paris

3472

Woman with a Cat

1875 22 x 18 1/4 inches National Gallery of Art, Washington

28816

Woman with a Cat

c 1875 Oil on canvas 56 x 46.4 cm Washington D C National Gallery of Afrt gift of Mr and Mrs Benjamin E Levy (mk64)

3481

Woman with a Parasol and a Small Child on a Sunlit Hillside

1874-76 47 x 56.2cm Museum of Fine Arts, Boston

28664

Woman with a Parasol and Small Child on a Sunlit Hillside

c 1874-1876 Oil on canvas 47 x 56.2 cm Boston Massachusetts Museum of Fine Arts bequest of John T Spaulding (mk64)

28579

Woman with a Parasol in a Garden

1873 Oil on canvas 54.6 x 64.7 cm Madrid Museo Thyssen-Bornemisza (mk64)

28666

Woman with a Parrot(Henriette Darras)

1871 Oil on canvas 92.1 x 65.1 cm New york Solomon R Guggtenheim Museum Thannhauser Collection gift of Jestin K Thannhauser (mk64)

30087

Woman with a Straw Hat

mk64 1880 Oil on canvas 50.2x61cm

3456

Woman with Guitar

1896-97 81 x 61cm Musee des Beaux Arts

3528

Woman with Lilacs

3470

Young Boy with a Cat

1868-69 124 x 67cm Musee d'Orsay, Paris

30145

Young Girl Bathing

mk64 1892 Oil on canvas 81.3x64.8cm New York,The Metropoltan Museum of Art.

28558

Young Girl in a Lace Hat

1891 Oil on canvas 55 x 46 cm Private collection (mk64)

30129

Young Girl in a Straw Hat

mk64 1890 Oil on canvas 46x38cm

28657

Young Girl in a White Hat

1891 Oil on canvas 55 x 46 cm Private collection (mk64)

3427

Young Girl Reading

1886 55.5 x 46.5cm Stadelsches Kunstinstitut, Frankfurt

3520

Young Girl Seated

1909 Musee d'Orsay, Paris

30154

Young Girl Undressing

mk64 1899 Oil on canvas 35x26cm

30094

Young Girl with a Falcon

mk64 1880 Oil on canvas 126.5x78.2cm Williamstown,Massachusetts,Sterling and Francine Clark Art Institute

3535

Young Girl with a Parasol

1883

28676

Young Girl with a Rose (Mme Colonna Romano)

1913 2' 1 3/4'' x 1' 9 1/2''(65.5 x 54.5 cm)

30130

Young Girl with a Swan

mk64 1886 Oil on canvas 76x62cm New York

3485

Young Girl With Daisies

1889 25 5/8 x 21 1/4 in. (65.1 x 54 cm) The Metropolitan Museum of Art, New York

28636

Young Girl with Daisies

1889 Oil on canvas 65.1 x 54 cm New York The Metropolitan Museum of Art Mr and Mrs Henry Ittleson Jr Fund (mk64)

3507

Young Girl with Flowers

28681

Young Girls at the Seaside

1894 Oil on canvas 55 x 46 cm Paris Private collection (mk64)

3460

Young Girls by the Seaside

1894 55 x 46cm Private Collection

30138

Young Girls in a Garden in Montmartre

mk64 1892-1895 Oil on canvas 37x50cm

30132

Young Girls Reading

mk64 c.1889 Oil on canvas 64x54cm

3486

Young Woman Bathing

1888 85 x 66cm Private Collection

28592

Young Woman Seated

1890 Oil on canvas 91 x 72 cm Private collection (mk64)

28598

Young Woman Seated(The Thought)

c 1876-1877 Oil on canvas 66 x 55.5 cm (mk64)

3433

Young Woman with a Veil

1875 61 x 51cm Musee du Louvre, Paris

30195

Young Women in the Country

mk64 1916 Oil on canvas Besancon,Musee des Beaux-Arts et d'Archeologie

3487

Yvonne and Christine Lerolle Playing the Piano

1897 50 x 67cm Musee de l'Orangerie, Paris

3527

Yvonne and Christine Lerolle Playing the Piano

1897 Musee de l'Orangerie, Paris

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Pierre Renoir

French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..

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